Quick Hit:

Danny Boyle’s highly anticipated zombie film 28 Years Later was shot using iPhone 15 Pro Max cameras, marking a significant step for smartphone filmmaking. Set for release in 2025, it’s the biggest-budget film to date shot on iPhones.

Key Details:

• 28 Years Later is the third installment of Boyle’s zombie franchise, following 28 Days Later (2002) and 28 Weeks Later (2007).

• The movie’s $75 million budget makes it the largest project ever filmed using iPhones.

• Boyle and Oscar-winning cinematographer Anthony Dod Mantle shot the film over the summer using iPhone 15 Pro Max cameras equipped with DSLR lenses.

Diving Deeper:

Danny Boyle’s upcoming zombie thriller 28 Years Later is breaking new ground in both the horror and tech worlds. Filmed entirely on iPhone 15 Pro Max cameras, the $75 million production is the largest film project ever shot on smartphones. Scheduled for release in June 2025, it marks a groundbreaking evolution for cinematic technology.

The film is the third in Boyle’s 28 Days Later series, following the critically acclaimed 2002 original, which revolutionized the genre by portraying zombies as fast and terrifying. 28 Years Later brings back Oscar-winning cinematographer Anthony Dod Mantle, who worked on the first film and other Boyle projects like Slumdog Millionaire (2008) and 127 Hours (2010).

While smaller-budget films like Tangerine (2015) and Unsane (2018) were shot on iPhones, 28 Years Later takes this approach to a new level with the iPhone 15 Pro Max. The film employed a protective rig that allowed DSLR lenses to be attached, blending smartphone technology with traditional filmmaking tools. This setup allowed the crew to capture stunning 4K ProRes footage, offering more flexibility in post-production for color grading and editing.

Boyle’s choice to film with iPhones harkens back to his use of early digital cameras for 28 Days Later, which helped define the movie’s gritty aesthetic. Much like in 2002, Boyle is once again pushing technological boundaries. Fans will have to wait until next summer to see how this unique approach influences the look and feel of 28 Years Later, but one thing is certain: Boyle’s innovation continues to reshape the horror genre.